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The legacy of that shield is... complicated.
The Falcon and The Winter Soldier is the second
MCU limited series to hit Disney+. It started its run only two weeks after the
end of the last MCU show, WandaVision and is much more in line with the general
style and atmosphere of the MCU. Saying that it’s just ‘plain Marvel’ or
‘Marvel light' would be a disservice, however. There’s still plenty of the
MCU’s trademark style and humour to found here but that’s not what makes this
show as great as it is. The series uses its place as a streaming show to tackle
subjects that MCU, and even Hollywood, rarely touch and isn’t afraid to dig
into them. It’s this subject matter, alongside great writing and stellar
performances, that truly makes this show something else even if it doesn’t
always stick the landing.
Let’s dive in.
The Falcon and The Winter Soldier picks ups
about 6 months after the events of Endgame. While Steve gave Sam the Shield and
mantle of Captain America, Sam is doubtful that he’s capable of being Captain
America. To live up to that legacy. After saving a kidnap army intelligent
officer as The Falcon, Sam gives the shield to the Smithsonian and its Captain
America exhibit. After this, he travels back to his hometown in Louisiana where
he tries to help his sister with her financial troubles. While Sam had a sound
plan to get his sister a loan, the bank rejects his proposal which is strongly
implied to be because of skin hue.
Meanwhile, Bucky has been pardoned by the U.S.
government for the crimes he committed under brainwashing as The Winter
Soldier. The only mandate is that he attends weekly therapy meetings. While
technically ‘free’ he’s still struggling with guilt and frequent nightmares.
Not even his attempt to make up for his wrongdoings by taking down people he
helped to power as The Winter Soldier While being informed by his contact in
the Air Force, Joaquín Torres about the growing threat of the anti-nationalist
group the Flag-Smashers, Sam (as well as Bucky back in NYC) witnesses the
government unveiled a new Captain America angering both men.
The story of The Falcon and The Winter Soldier,
the writing, alongside the performance of the actors is what makes this show so
great. The show has its problems, sure, but it pales in comparison to the
show’s strengths. Like I said in the opening, this show tackles some heavy
subjects and doesn’t hold back its punches either. In episode 2, for example,
Sam and Bucky have an argument while walking in a neighbourhood where he’s
stopped by a bunch of white cops one of which nearly pulls his gun on him.
That’s right, this show went there and it’s not an exception either. It’s this
kind of writing and storytelling that sets this show apart from its peers and
makes it that much better while still providing the action and humour you’d
expect from the MCU.
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The Flag-Smashers, the antagonists of the show. |
The acting
is another one of the show’s strengths. Anthony Mackie does a great job as Sam
Wilson. In portraying both his doubts as well as his inner strength and the
large amount of empathy the man has. Honestly, though, I feel that his
performance is overshadowed by some of the other players. Sebastian Stan gets
some very strong and emotional scenes that have ingrained themselves in my
mind. Wyatt Russel turns in what could be the performance of a lifetime as the
very complicated and layered John F. Walker the new government-appointed
Captain America. Daniel Brühl as Baron Helmut Zemo steels every scene he’s in.
I mean, there’s a reason why ‘release the Zemo Cut’ became trending on Twitter.
Talking
about those problems, there are two that are worth diving into. Coincidentally,
these are flaws that are shared by its sister show WandaVision. There are
pacing problems throughout the 6 episode run and the final doesn’t quite stick
the landing. The pacing issues is something that, to the show’s credit, is less
noticeable when watching the show week to week. That some episode is much
slower than others is noticeable, but the problems this pacing causes becomes
apparent when you binge the show. As some episodes move so much faster or
slower than others, you create a very weird flow, a 'peaks and valleys'
effects.
![]() |
Wyatt Russel as John F. Walker; Captain America. |
It’s this
pacing problem that causes the final to be somewhat underwhelming. This show
covers a lot of ground on a variety of subjects and characters. From racial
tension and mental health to Sam, Bucky and John Walker. Due to, in big parts,
the weird pacing of the show it has to resolve basically every single one of
its threads in the final episode. This leads to a final that has to resolve a
lot in not much time which means that there isn’t much time for the episode to
linger. Due to this, most of the wrap-ups are rushed and don’t have the impact
they should’ve had. It’s still a satisfying wrap-up with some very strong and
emotional moments but on the whole, it could’ve been better.
Before wrapping this review up, some quick mentions to other aspects of the show such as the action, CGI and whatnot. The production values of The Falcon and The Winter Soldier is high. From the costumes to the set design and even the CGI, it’s all great and the attention to detail is applause-worthy. The music is also very good. From choosing appropriate songs to incorporating and remixing the already pre-existing themes such as the Winter Soldier theme. The closing credits, Louisiana Heroes, is a definite standout and I recommend you stick around for it.
Conclusion
With The Falcon and
The Winter Soldier, Marvel is 2-for-2 with its Disney+ streaming shows. This
show not only provides plenty of that MCU trademarked action and humour, while
also providing plenty of mature social commentary. It’s well written, well-acted
and highly enjoyable even if it doesn't quite stick the landing. The Falcon and
The Winter Soldier is one Disney+ show that everybody should watch.
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